Espai Corberó sits in Esplugues de Llobregat, just outside Barcelona. It is not simply a residence. It reads as a long act of making: concrete arches, courtyards, stair runs, and
Espai Corberó sits in Esplugues de Llobregat, just outside Barcelona. It is not simply a residence. It reads as a long act of making: concrete arches, courtyards, stair runs, and
Nadav Kander photographs the traces of power as atmosphere rather than spectacle. From the Yangtze River to Central Asian nuclear test landscapes and the Thames Estuary, his restrained images examine scale, visibility, and aftermath. This essay reads Kander’s work as a method for architects, artists, and scholars.
The horizon in Nevada’s Black Rock Desert does not behave. In minutes, a clean line can dissolve into a whiteout, when alkaline dust lifts and the sun turns flat, as
Ximeng Tu is a Chongqing-born photographer whose images return, again and again, to the city’s river edge – not as scenery, but as an index of change. He recalls growing
NAKAMURA KAZUNOBU DESIGN WORKS creates Into the Space, a cloud like installation for Japanese dance in Tokyo that turns a single object into an immersive landscape.
Gregory Orekhov’s Red Vertical 2022 is a land art installation on the Russian Plain, wrapping a timber frame in red polyethylene to reinterpret Kazimir Malevich’s house motif as a contemporary, minimalist spatial icon.
Located in the city of Santander in northern Spain, the Colección ES Headquarters occupies an approximately 600 square meter interior transformed into a hybrid space for art, work, and social
In the centre of Brno, just steps away from the commercial intensity of Masarykova Street, a forgotten fragment of the city has been temporarily transformed into an unexpected place of
On 10 November, the Archaeological Park of Herakleia in Policoro, Matera, unveiled Siris, an expansive artistic enhancement project curated by STUDIO STUDIO STUDIO, the interdisciplinary laboratory founded by Edoardo Tresoldi
LESS is the latest intervention at Dairy Road in Canberra by Chilean art-and-architecture studio Pezo von Ellrichshausen. Conceived as an intentionally ambiguous spatial device, the structure resists straightforward definition. Instead