Ortega Diago transforms a seventh floor apartment in San Sebastián into Casa Kendo, a serene interior defined by filtered daylight, spatial clarity, and the continuous use of Campaspero stone.
Ortega Diago transforms a seventh floor apartment in San Sebastián into Casa Kendo, a serene interior defined by filtered daylight, spatial clarity, and the continuous use of Campaspero stone.
A Moscow family apartment inside a historic building is redesigned with wood veneer interiors and a calm atmosphere inspired by a summer garden.
Landforms by Billboards reimagines the real estate office as a spatial environment where architecture, land planning and materiality intersect.
Local Local refurbishes a stripped Victorian apartment in Paddington, restoring character through contemporary reinterpretation.
A landscape atelier transforms an anonymous interior into a cultivated workspace defined by green ceramic tiles, scattered yellow accents and a delicate metal ceiling structure. The restrained intervention creates a framework where architecture, vegetation and daily work coexist.
Ekadea Studio in Milan reimagines the ceramic workshop as an immersive architectural environment shaped by curved walls, filtered light and ritual thresholds. The design integrates elements such as okumè plywood worktables, shōji screens and tatami platforms to create a layered spatial experience where craft, material and shadow interact. Through subtle transitions and controlled illumination, the studio offers a quiet refuge from the city while celebrating the gestures of artisanal practice.
The Sarette apartment renovation transforms a 1970s home through a central green cube that structures circulation, light and material contrasts.
Designer Ausiàs Pérez of T.O.T Studio and architecture practice Paloma Bau have transformed a former commercial unit in Valencia’s Ruzafa neighbourhood into a shared creative workspace informed by everyday urban
Museo del Jamón headquarters in Usera is conceived as a workplace shaped by two primary geometric gestures, a curve and a diagonal cut. Rather than simply organising functions, the project constructs a spatial experience defined by material, light and calibrated relationships.
Rethinking the Sky House in Moskva reinterprets Kiyonori Kikutake’s 1958 metabolist manifesto through modular rooms, movable partitions, custom furniture and a carefully calibrated monochrome interior by Arina Krisanova.