MEGA Art Fair 2026 reimagines the art fair as a collective and evolving platform, where exhibition, performance, and public life converge inside a former industrial site in Milan.
EVENTS
11Articles
deTour 2025, designed by Napp Studio & Architects at PMQ Hong Kong, proposes a new model for exhibition architecture by embedding reuse, adaptability and material afterlife into the design process. Drawing on the concept of interbeing, the project reframes temporary exhibitions as part of a continuous lifecycle rather than isolated events.
At the Centre de design de l’UQAM in Montreal, Samia Henni unfolds a spatial investigation into French nuclear colonialism, where architecture, landscape and radiation converge as instruments of power and enduring contamination.
At a moment when ecological anxiety and technological acceleration shape the global conversation, the Royal Danish Academy proposes a different register for imagining what comes next. Rather than speculating through
Brazil After Le Corbusier, the fourth edition of ABERTO, brought Brazilian contemporary artists into Maison La Roche in Paris as part of France Brazil Season 2025. The exhibition reactivated the modernist landmark designed in 1925 by Le Corbusier, revisiting his historic influence on Brazilian architecture and examining how Brazilian modernism transformed and reinterpreted European rationalism. Through site specific interventions, archival references and spatial dialogue, the show positioned modernism as an ongoing cultural exchange rather than a closed doctrine.
2026 promises to be a vibrant year for global art, with Time Out’s list of the “19 coolest exhibitions worth travelling for in 2026” highlighting a diverse array of events
From January 23 to February 1, 2026, the DesignTO Festival returns for its 16th edition, unfolding across Toronto with more than 100 free exhibitions, installations, talks, and workshops. This year’s
If 2025 was about regaining momentum, 2026 feels like a year that tests what that momentum is for. Across deserts, design fairs, congress halls and city streets, the most visible
The Hengshan Calligraphy Biennale was established by Taoyuan Museum of Fine Arts in Taiwan in 2023 to promote the diverse development of calligraphy and to foster international and contemporary dialogue on the art form. Held at the Hengshan Calligraphy Art Center (HCAC), the biennale aims to explore the critical role of calligraphy within today’s artistic landscape. The second edition, Calligraphy in Movement: From Literati’s Desk to People’s Streets, is curated by Professor Lin Chun-chen of National University of Tainan, with Gong Jow-Jiun, Ohara Toshiki, and Tanigawa Masao serving as curatorial advisors. The exhibition will run from 20 December 2025 to 13 April 2026 at HCAC. Bringing together 87 works by 45 artists from Taiwan, China, and Japan, the biennale spans a wide range of formats, from traditional hanging scrolls, handscrolls, letters, and poetry drafts to daily writing practices and cross-disciplinary collaborations. In response to the contemporary trend of viewing calligraphy purely as a visual form, the curatorial team re-centres calligraphy as an act of writing. By exhibiting works from both ‘professional’ and ‘non-professional’ contexts, the biennale challenges stylistic hierarchies and highlights the multiple ways in which calligraphy continues to evolve across history and modern culture. —[O]
In the centre of Brno, just steps away from the commercial intensity of Masarykova Street, a forgotten fragment of the city has been temporarily transformed into an unexpected place of
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