COAT pairs reed-filled pillows with fragrant sheaves in Chaume Sublimé, a tactile installation for Montpellier’s Festival des Architectures Vives.
COAT pairs reed-filled pillows with fragrant sheaves in Chaume Sublimé, a tactile installation for Montpellier’s Festival des Architectures Vives.
Pablo Millán links a former prison, an adjoining mansion and a recovered alleyway to create Marchena Archaeological Museum within the town’s historic fabric.
The 16th Gwangju Biennale, directed by Ho Tzu Nyen, explores change through five galleries spanning volcanic matter, bodily routines, collective memory and air.
Haogang Ji brings six temporary exhibitions into Dongguan’s village life, using scaffolding and polycarbonate to share residents’ memories and ideas.
Balzar Architects shape Riyadh’s Museum of Contemporary Art around a circular court, using thick pale-stone walls, water and shaded thresholds to temper daylight.
Atelier Deshaus turns a former coal wharf on Shanghai’s Huangpu River into a public route beside a retained concrete wall.
For the 2025 Seoul Biennale, Bureau de Change translated Korean roof-tile, timber and bamboo craft traditions into a layered concrete wall made with crushed reclaimed hanok tiles.
Fala Atelier’s Cookie Cutter Retreat places three semicircular buildings into a Portuguese hillside, balancing compact rooms with broad glazed openings.
Rael San Fratello’s YBCA retrospective brings together two decades of experimental materials, 3D-printed structures and projects engaging with social and political questions.
A Vitra Design Museum retrospective brings together more than 250 objects to explore Geoffrey Bawa’s architecture, its Sri Lankan context and its sensory relationship with landscape.