In French Exit, Tadao Cern fills the ceiling with dried wheat so visitors look up at a field as if floating above it, then leaves the fragile work to its host.
In French Exit, Tadao Cern fills the ceiling with dried wheat so visitors look up at a field as if floating above it, then leaves the fragile work to its host.
MPNYC converts a 19th-century Piraeus warehouse and its 1990s nightclub addition into Castor Place, a flexible arts venue where old and new layers stay visible.
On a bend in Shanghai's Suzhou Creek, Heatherwick Studio's 1000 Trees lifts more than 1,000 trees and 250,000 plants onto columns, beside a southern facade covered in street art.
In Marugame, FATHOM has turned a steel warehouse on a mum farm into tutiru, a café and flower store fitted inside the untouched shell.
Atelier Lu combines river stone, reclaimed timber and steel in an open tea pavilion that retains the working functions of a hillside tea field in Hangzhou.
At TANK Shanghai, a vast botanical wave leads into a shared digital garden where visitors’ handmade LEGO flowers become part of an evolving landscape.
At Maniwa in Osaka, Akta opens architectural practice to everyday encounters through books, exhibitions and coffee, with a movable garden and a circular opening carrying the memory of a family home.
For Mar Motto in Faro, Moradavaga suspends a shoal of golden mirrored fish, bringing the Algarve’s fishing heritage into motion with light, wind and reused components.
From the autonomous swarm of Murmuring Minds to the illuminated glass of Aeolus, DRIFT explores how a visitor’s movement can reshape an artwork.
Office for Roundtable’s Parts of Common brings five adaptable timber installations to Denver’s Community Design Festival.