Ryue Nishizawa arranged Towada Art Center as a field of white pavilions linked by transparent corridors, allowing contemporary art, architecture and the streets of Aomori to overlap.
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Vincent Leroy’s Eccentric Lenses uses wind-driven Fresnel lenses to fragment views of mountains, rice fields and vegetation in Munduk, Bali.
Ba-rro transforms an industrial space in Madrid with a mirrored volume, pivoting metal wall and cast-in-situ concrete, creating a home around a compact courtyard.
MIX Architecture has transformed the historic Yanqing Li lifen in Wuhan into an open commercial block structured by alleys, courtyards and elevated walkways.
TYPE S combines rough masonry, polished metal and warm timber inside Juno Hair Sung-su 2nd, a salon shaped by contrasting spaces in Seoul.
Art Pavilion M by Studio Ossidiana floats on Weerwater in Almere as a museum, public space and ecological landscape formed by three connected rings.
BIG completes Suzhou Museum of Contemporary Art as nine interconnected pavilions, where galleries, covered corridors and gardens form a continuous route to Jinji Lake.
Pup Architects reorients Surrey Docks Farm toward the Thames through a strategic refurbishment, a Douglas fir orangery and the reinstatement of its fire-damaged tower.
TAKIZME transforms a compact renovated house in Shinagawa into a contemporary tea salon where spatial design, furniture and ritual slow the act of preparing tea.
Atelier EGR sinks Biot’s town hall extension beneath a continuous public square, framing the Saint-Roch chapel, the surrounding valleys and a new civic belvedere.
