An in depth analysis of Peter Zumthor’s architectural philosophy, from his Wohnhaus und Atelier in Haldenstein to Therme Vals, Kolumba, and LACMA, exploring atmosphere, material precision, and the ethics of silence in contemporary architecture.
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58Articles
Lina Ghotmeh’s architecture explores memory, material continuity and ecological responsibility. From the Serpentine Pavilion in London to the Estonian National Museum and Stone Garden in Beirut, her work advances an archaeology of the future rooted in craft, context and collective experience.
This longform essay examines the architectural legacy of Soviet modernism in Armenia through a material lens. Moving from Georgia’s Monument Peace to Yerevan’s Mother Armenia and Cascade Complex, and to the modernist Writers’ Resort at Lake Sevan, the article investigates how volcanic tuff and reinforced concrete shaped a distinct tectonic identity. Beyond style, the essay explores how these structures negotiate post Soviet memory, political transition, and material continuity in the Caucasus.
This feature examines Tadao Ando’s architectural interventions in France, exploring how his concrete minimalism reshapes historic contexts from Paris to Provence through light, void and material precision.
An in-depth look at John Pawson’s Nový Dvůr Abbey and how his restrained architecture reshapes minimalism in contemporary Europe.
Paul Rudolph’s 1965 Manhattan office used a raised mezzanine, layered section and controlled light to explore his idea of space.
The 14th-century bell tower of Curon rises from Lake Resia in South Tyrol, the only remnant of a village submerged in 1950 for a hydroelectric reservoir.
An in depth architectural essay on Oscar Niemeyer, examining Palazzo Mondadori as a refined expression of his curved modernism in Europe.
This essay examines the modern architecture of Pyongyang through the lens of ideology and urban form. From the unfinished Ryugyong Hotel to the city’s pastel high rises, the article explores how architecture in North Korea operates as a disciplined instrument of belief, governance and endurance. Positioned within a broader global context, the text reflects on monumentality isolation and the political capacity of the built environment.
This longform essay examines the work of Christo and Jeanne-Claude through the lens of impermanence, beginning with Valley Curtain and tracing their use of fabric, scale, and process to redefine art as a temporary experience rather than a permanent object. Exploring their philosophy of artistic freedom, self-funded practice, and engagement with landscape and public space, the article reflects on how disappearance, rather than endurance, became the defining force of their legacy.
