Chinese artist Lin Fanglu transforms Bai tie dye into monumental textile sculptures that merge craft, memory and contemporary art.
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An essay on Janet Echelman’s public art, exploring radical softness, climate data, and resilience in contemporary urban space.
In Rennes, during the summer of 2014, a giant red sphere appeared as if the city had briefly held its breath. Inflated to roughly 4.5 metres in diameter and weighing
Magdalena Jetelová in focus. Domestication of a Pyramid opens into her sculpture, land art, and environmental thinking.
An in-depth feature on Vu Dan Tan and the role of assemblage, sound, and hybridity in Vietnam’s contemporary art.
There are exhibitions that ask to be seen, and there are exhibitions that ask to be approached. Dana Awartani’s Standing by the Ruins belongs to the second category. It does
Espai Corberó sits in Esplugues de Llobregat, just outside Barcelona. It is not simply a residence. It reads as a long act of making: concrete arches, courtyards, stair runs, and
In late-1960s Amsterdam, a city long fluent in improvisation, a small group of artists began treating air as a civic material. Their works arrived lightly, often without warning, and disappeared
The Kyrgyz artist Chingiz Aidarov died on December 15. The Central Asian art community is deeply saddened by his passing. Born in Bishkek, Kygyzstan in 1984, Chingiz Aidarov studied at ArtEast and became a member of the art groups Zhonele emes, 705, and Zamanbap art. His collective and individual work – spanning performance, painting, illustration, and video – issued biting and satirical takes on the sociopolitical situation in Kygyzstan as well as the experience of migrant workers abroad. He developed a performance practice called ‘nabeg’ comprising incursions or ‘invasions’ in public space.
Mark Wallinger stands as one of Britain’s foremost contemporary artists, renowned for his masterful blend of wry humor, incisive social critique, and profound exploration of human identity. Born in 1959
