The 16th Gwangju Biennale, directed by Ho Tzu Nyen, explores change through five galleries spanning volcanic matter, bodily routines, collective memory and air.
The 16th Gwangju Biennale, directed by Ho Tzu Nyen, explores change through five galleries spanning volcanic matter, bodily routines, collective memory and air.
For the 2025 Seoul Biennale, Bureau de Change translated Korean roof-tile, timber and bamboo craft traditions into a layered concrete wall made with crushed reclaimed hanok tiles.
In Lying on the floor, Eunkyung Lee turns unintended places of rest at home into low cast-aluminium forms shaped by hand marks and deliberate instability.
Seoul studio builddweller designed a translucent display system for PRESENT PRESENT’s compact booth at INVENTARIO 2026, organising colourful stationery around the perimeter while keeping the centre open for browsing.
TYPE S combines rough masonry, polished metal and warm timber inside Juno Hair Sung-su 2nd, a salon shaped by contrasting spaces in Seoul.
LOFA SEOUL reinterprets traditional Korean hwamunseok through craft, antiques and contemporary design in the RE:WEAVE / LEGACY exhibition.
Monologue café by SOSOKKI ANAC reimagines architecture as a temporal and contemplative experience shaped by memory, light, and material.
Concrete Utopia reimagines discarded concrete pipes as a fragmentary urban system, proposing new ways of thinking about reuse, climate, and the future of the material city.