Idoia Cuesta’s Weaving Identity turns chestnut strips and braided rye straw into a collective installation at the Museu de Alberto Sampaio, inviting Guimarães residents to add their own woven layers.
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Atelier EGR sinks Biot’s town hall extension beneath a continuous public square, framing the Saint-Roch chapel, the surrounding valleys and a new civic belvedere.
Science Fiction Design at the Vitra Schaudepot follows the exchange between speculative fiction and product design, from Space Age classics to objects made for virtual worlds.
Balzar Architects shape Riyadh’s Museum of Contemporary Art around a circular court, using thick pale-stone walls, water and shaded thresholds to temper daylight.
Scala San Filippo by caarpa combines a sculptural steel staircase and transparent greenhouse within a private garden in Genoa, Italy.
TÁNAT, PEMO and Carlos García Noriega conceive Casa Ínsula in Mérida as an unfinished concrete house open to rain, plants and future occupation.
Sarturi Gumz Arquitetos has organised Banca Padre Pio, a compact restaurant in Curitiba, around a communal reclaimed timber table.
STUDIO SHOO has created a three-legged stainless steel chair that uses instability, an angled backrest and a mirror to examine expectations placed on women.
Rik Frans Jansen’s PLATFORM bed brings bolted stainless steel, exposed aluminium profiles and Egyptian cotton sateen into a domestic setting.
Alain Carle Architecte transforms a 395-square-metre suburban house in Baie-d’Urfé by reversing its program and reframing views toward trees, sky and terrain.
- The timeless elegance of domestic appliances: From the Iconic Braun KF 20 aromaster to the German design ethos
- Emilio Ferro on the light, sound and memory of a place
- At Maniwa, an architect’s family home opens to the neighbourhood
- What bronze remembers of the hand
- Caught in light: Moradavaga’s suspended shoal
- The making of Alex Chinneck’s impossible Dior windows
