A black box at Santa Maria Antiqua and projected landscapes in the Farnese Aviaries give two exhibitions distinct settings within Rome’s archaeological park.
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Local Local revisits a telephone seat from Sirigos’s archive with a compact maple chair, exposed joinery and a renewed place for conversation.
Gonzalo Lebrija’s El rumor de la discordia places a riderless bronze horse at the edge of a concrete pedestal in Madrid’s Plaza del Carmen.
At Maniwa in Osaka, Akta opens architectural practice to everyday encounters through books, exhibitions and coffee, with a movable garden and a circular opening carrying the memory of a family home.
At Perrotin Paris, Alma Allen’s bronze sculptures retain the intimacy of hand-worked models, carrying gestures of twisting, folding and holding into a larger scale.
Emilio Ferro speaks with Designarcus about Threshold in Paris, listening to places, and how light and sound can change our experience of architecture and landscape.
- The timeless elegance of domestic appliances: From the Iconic Braun KF 20 aromaster to the German design ethos
- Emilio Ferro on the light, sound and memory of a place
- At Maniwa, an architect’s family home opens to the neighbourhood
- What bronze remembers of the hand
- Caught in light: Moradavaga’s suspended shoal
- The making of Alex Chinneck’s impossible Dior windows
