At its essence, VOIDS is a conceptual investigation into the relationship between absence and presence, where material form emerges from what is typically unseen. Created by Objects of Common Interest,
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LESS is the latest intervention at Dairy Road in Canberra by Chilean art-and-architecture studio Pezo von Ellrichshausen. Conceived as an intentionally ambiguous spatial device, the structure resists straightforward definition. Instead
Along the banks of the Cai River in Nha Trang, life once moved to the rhythm of the floods. Each year, the river rose for a few days, and small
In North East London, THISS Studio has renewed a typical Victorian terraced house, transforming a dim and constricted ground floor into a bright, expressive, and flexible family interior. Rather than
Nestled in the foothills above Lake Annecy in the French Alps, Periscope Hut is a small timber pavilion with the presence of a living creature. Designed by ELSE, the practice
A CONTEMPORARY INTERPRETATION OF HERITAGE At the 19th Venice Architecture Biennale, MAD Architects presents the Chinese Paper Umbrella, an outdoor pavilion that unites traditional craftsmanship with environmental responsiveness. Installed within
A stainless steel bench by So Koizumi transforms seating into a sculptural frame for human presence inside kuppography’s Tokyo photography studio.
REINTERPRETING AN ANCIENT JAPANESE MATERIAL In Japan, asphalt has been used since the Jomon period, when it served as a binding agent connecting wooden shafts and stone arrowheads for hunting.
Austria is testing a radical idea that could transform one of the most visible yet least beloved forms of infrastructure: electricity pylons. Under the concept known as the Austrian Power
Set atop the highest hill of the Lu Yu Tea Cultural Campus in Huzhou, China, The Cloud reimagines the traditional teahouse as an ethereal architectural experience. Designed by Jung Donghyun,
