From a looping car in Beverly Hills to knotted street clocks in New York, Alex Chinneck’s Dior sculptures reveal their construction through photographs supplied by the artist.
From a looping car in Beverly Hills to knotted street clocks in New York, Alex Chinneck’s Dior sculptures reveal their construction through photographs supplied by the artist.
Office for Roundtable’s Parts of Common brings five adaptable timber installations to Denver’s Community Design Festival.
Plastique Fantastique’s auruBOROS brought two inflated gold coils to New York’s High Line, reflecting the city across a lightweight pneumatic sculpture.
At The Altar in New York, Marsollier Villacorta turns a subterranean interior into a communal health club centred on a granite-clad sauna and cold-plunge atrium.
Studio Deng’s The Flatland Horse transforms a composite equestrian monument into Gate Horse and Slide Horse, two interactive installations at Seattle Design Festival.
Rael San Fratello’s YBCA retrospective brings together two decades of experimental materials, 3D-printed structures and projects engaging with social and political questions.
Rachel Howard brings drone imagery and vulnerable human figures together in Harvest at 447 Space in New York, exploring surveillance, distance and the act of witnessing.
Marian Goodman Gallery in New York transforms a historic 1875 building into a flexible home for contemporary art and exhibitions.
Tennessee Performing Arts Center in Nashville emerges as a new cultural landmark on the East Bank, bringing together four performance venues within a vibrant riverside setting.