This longform essay examines the work of Christo and Jeanne-Claude through the lens of impermanence, beginning with Valley Curtain and tracing their use of fabric, scale, and process to redefine art as a temporary experience rather than a permanent object. Exploring their philosophy of artistic freedom, self-funded practice, and engagement with landscape and public space, the article reflects on how disappearance, rather than endurance, became the defining force of their legacy.
An in-depth look at Marinus Boezem’s conceptual practice, from The Green Cathedral to his exploration of air, time, and spatial impermanence.
Magdalena Jetelová in focus. Domestication of a Pyramid opens into her sculpture, land art, and environmental thinking.
In Gravity, Gregory Orekhov places a single red sphere into a winter landscape and lets it carry the weight of a world that no longer feels stable. What begins as
Gregory Orekhov’s Red Vertical 2022 is a land art installation on the Russian Plain, wrapping a timber frame in red polyethylene to reinterpret Kazimir Malevich’s house motif as a contemporary, minimalist spatial icon.
