At MATTER and SHAPE 2026 in Paris, JA Projects used hemp blocks, green timber and moiré graphics to make a design salon a place for gathering and exchange.
At MATTER and SHAPE 2026 in Paris, JA Projects used hemp blocks, green timber and moiré graphics to make a design salon a place for gathering and exchange.
At Paris Internationale, 6:AM presents Batch, a family of hand-blown glass stools whose repeated geometry opens onto variations in colour, texture and light.
At BOON_MONCEAU in Paris, Rive Roshan brings Persian memory and the rhythms of a day into glass, moving light and sound.
Emilio Ferro speaks with Designarcus about Threshold in Paris, listening to places, and how light and sound can change our experience of architecture and landscape.
At Perrotin Paris, Alma Allen’s bronze sculptures retain the intimacy of hand-worked models, carrying gestures of twisting, folding and holding into a larger scale.
From the autonomous swarm of Murmuring Minds to the illuminated glass of Aeolus, DRIFT explores how a visitor’s movement can reshape an artwork.
COAT pairs reed-filled pillows with fragrant sheaves in Chaume Sublimé, a tactile installation for Montpellier’s Festival des Architectures Vives.
In Marseille, MUR.MUR Architectes pairs Holymelt’s smashburger counter with a softly lit coffee shop, uniting both through handmade tile and a 20-metre bench.
Wu Bin’s Pavilion of Time pairs a circular mirrored roof with translucent walls, tracing sunlight and inviting visitors to pause in Paris’s Palais-Royal garden.
Continentale has renovated an 80-square-metre apartment in Nice using apricot planes, deep-green cabinetry and mirrors to connect its interior with the garden and sea.