A reported longform on Werkstätte Carl Auböck across four generations, from Vienna Bronzes to Bauhaus modernism, MIT networks, postwar America, and a living archive that challenges the assumptions of industrial production.
A reported longform on Werkstätte Carl Auböck across four generations, from Vienna Bronzes to Bauhaus modernism, MIT networks, postwar America, and a living archive that challenges the assumptions of industrial production.
This all-faith chapel uses 100 timber planks as a semi-transparent curtain, an eccentrically placed roof to frame changing daylight, and locally sourced materials including site stones, local-sawmill timber, and blacksmith-made U-profile metal elements.