Issey Miyake presents The Paper Log in Milan, where Satoshi Kondo and Ensamble Studio transform pleated paper waste into sculptural objects and furniture.
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Raiments in Copenhagen presents Lærke Ryom’s textile furniture, where hand-stitched wool redefines upholstery as a dialogue between softness and structure.
Anoe Melliou’s Asymptote Side Table explores balance and proximity through a modular system of curved steel and magnetic joints.
Philippe Nigro reinterprets the club chair with JOSEPH for Wittmann, combining quilted structure, soft upholstery, and mobility in a refined contemporary form.
The Helle Coffee Table Bowen Liu combines elegance with contemporary brutalism, showcasing clarity and intricate craftsmanship.
Minimalism has long been framed as an ethic of subtraction, a refusal of excess in favour of clarity, restraint, and quiet utility. Deconstructed Minimalism proposes a different kind of discipline:
REINTERPRETING AN ANCIENT JAPANESE MATERIAL In Japan, asphalt has been used since the Jomon period, when it served as a binding agent connecting wooden shafts and stone arrowheads for hunting.
