Jumping House Lab renovates a tea village home in Hangzhou through open rooftops, translucent timber trusses and flexible spaces that shift between private and shared use.
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At MOCA Toronto, Delcy Morelos suspends a womb-like earthwork woven from soil-treated sisal rope and corn roots, exploring nourishment, memory and the ties between people and land.
Roland Baldi Architects’ Civil Protection Centre in Eyrs/Oris uses green-pigmented insulating concrete to give emergency services a distinct civic presence in South Tyrol.
Rana Haddad and Pascal Hachem shape earth jars into three towers for Reveries, a site-specific installation at Desert X AlUla 2024.
The redesign of Bern’s PROGR courtyard pairs permeable ground and accessible edges with a pavilion crowned by Miriam Sturzenegger’s sculptural concrete roof.
In Lying on the floor, Eunkyung Lee turns unintended places of rest at home into low cast-aluminium forms shaped by hand marks and deliberate instability.
M+ marks its fifth anniversary with Herzog & de Meuron: In Focus, an exhibition of more than 200 archival objects tracing ten projects in China.
A look back at Cyprien Gaillard’s The Recovery of Discovery, the 2011 KW Berlin installation that turned 72,000 beer bottles into a monument visitors could dismantle.
m²ft architects stacks woodland prunings within a timber grid to create HUT-SPOT, a seven-square-metre pavilion for people and wildlife in Cesena, Italy.
Wu Bin’s Pavilion of Time pairs a circular mirrored roof with translucent walls, tracing sunlight and inviting visitors to pause in Paris’s Palais-Royal garden.
