This longform essay examines the architectural legacy of Soviet modernism in Armenia through a material lens. Moving from Georgia’s Monument Peace to Yerevan’s Mother Armenia and Cascade Complex, and to the modernist Writers’ Resort at Lake Sevan, the article investigates how volcanic tuff and reinforced concrete shaped a distinct tectonic identity. Beyond style, the essay explores how these structures negotiate post Soviet memory, political transition, and material continuity in the Caucasus.
