Photographs of improvised chairs lead Michael Wolf into questions of repair, authorship and design in everyday life.
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For the 2025 Seoul Biennale, Bureau de Change translated Korean roof-tile, timber and bamboo craft traditions into a layered concrete wall made with crushed reclaimed hanok tiles.
At MOCA Toronto, Delcy Morelos suspends a womb-like earthwork woven from soil-treated sisal rope and corn roots, exploring nourishment, memory and the ties between people and land.
studio MOTO’s Westerpunt is a concrete coastal viewpoint in De Panne, Belgium, where a looping stair route frames views across land and sea.
Science Fiction Design at the Vitra Schaudepot follows the exchange between speculative fiction and product design, from Space Age classics to objects made for virtual worlds.
In Vũng Tàu, Túi Studio wraps flexible semi-open spaces in a white louvre screen, balancing family privacy with daylight, ventilation and planting.
A new 5,400-square-metre promenade in Comillas embraces shifting sand, dune-inspired planting and reclaimed limestone along Spain’s Cantabrian coast.
Roland Baldi Architects’ Civil Protection Centre in Eyrs/Oris uses green-pigmented insulating concrete to give emergency services a distinct civic presence in South Tyrol.
Studio Deng’s The Flatland Horse transforms a composite equestrian monument into Gate Horse and Slide Horse, two interactive installations at Seattle Design Festival.
In an interview with Designarcus, Vincent Dubourg discusses how molten bronze, architectural references and wood shape Blue Weather at Carpenters in London.
